Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (2024)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (1)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (2)

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On loan to The Met The Met accepts temporary loans of art both for short-term exhibitions and for long-term display in its galleries.

Michelangelo Buonarroti Italian

On view at The Met Fifth Avenue in Gallery 503

The iconography of this idealized youth makes him difficult to identify. Like Cupid, he has a quiver but there is no sign he ever had Cupid’s traditional wings. The statue is first recorded in 1556 at the house of Jacopo Galli in Rome, where the work is identified as Apollo. Galli is known, however, to have owned a Cupid sculpted by the young Michelangelo. So it is significant that by 1650, when the figure occupied a garden niche at the Villa Borghese, Rome, he had been retitled Cupid. By 1902 the sculpture was gravely damaged. Nonetheless the dealer Stefano Bardini recognized it as Michelangelo’s work when he offered it at auction in London, but this attribution was soon forgotten or discounted. It was later purchased by the architect Stanford White and installed on a fountain at the Fifth Avenue mansion of Mr. and Mrs. Harry Payne Whitney, today the office of the Cultural Services of the French Embassy in New York, where only recently it was recognized as Michelangelo’s lost Cupid.

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (3)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (4)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (5)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (6)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (7)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (8)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (9)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (10)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (11)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (12)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (13)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (14)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (15)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (16)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (17)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (18)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (19)

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (20)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (21)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (22)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (23)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (24)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (29)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (30)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (33)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (34)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (35)

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Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (36)

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Artwork Details

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Title: Cupid

Maker: Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome)

Date: ca. 1490

Culture: Italian, Florence

Medium: Marble

Dimensions: Overall (wt confirmed): H. 37 x W. 13 1/4 x D. 14 in., 177lb. (94 x 33.7 x 35.6 cm, 80.2867kg)

Classification: Sculpture

Credit Line: Lent by the French State, Ministry of Foreign and European Affairs

Accession Number: L.2009.40

Learn more about this artwork

Timeline of Art History

Essay

Anatomy in the Renaissance

Essay

Gian Lorenzo Bernini (1598-1680)

Essay

Mannerism: Bronzino (1503-1572) and his Contemporaries

Essay

Renaissance Drawings: Material and Function

Essay

The French Academy in Rome

Essay

The Papacy and the Vatican Palace

Essay

The Papacy during the Renaissance

Essay

Venetian Color and Florentine Design

Chronology

Florence and Central Italy, 1400-1600 A.D.

Museum Publications

Michelangelo: Divine Draftsman and Designer

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Pietà

After an original by Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome)

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European Sculpture and Decorative Arts at The Met

The Met's comprehensive collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century.

Michelangelo Buonarroti | Cupid | Italian, Florence | The Metropolitan Museum of Art (2024)

FAQs

Did Michelangelo have a wife? ›

Michelangelo was thought to have also written to a widow he was close with, but he never married or had a known romantic partner, nor did he have any known children. The Crucifixion of St. Peter was a fresco painting from 1546 and 1550 and was believed to have been the last Michelangelo fresco before his death.

What is a paragraph about Michelangelo? ›

Table of Contents. Michelangelo was a sculptor, painter and architect widely considered to be one of the greatest artists of the Renaissance—and arguably of all time. His work demonstrated a blend of psychological insight, physical realism and intensity never before seen.

What is the significance of the Pietà by Michelangelo? ›

This famous work of art depicts the body of Jesus on the lap of his mother Mary after the Crucifixion. The theme is of Northern origin. It is an important work as it balances the Renaissance ideals of classical beauty with naturalism.

How much is the pieta worth? ›

Now Italian experts say they are sure it is an original Michelangelo, the Ragusa Pieta, worth perhaps $300 million. The 16th-century work, once owned by a friend of the artist, was sent to the US in 1883 by a German baroness who gave it to her lady-in-waiting, Kober's great-great-grandfather's sister-in-law.

Who was Michelangelo's true love? ›

Tommaso dei Cavalieri ( c. 1512 to 1519—1587) was an Italian nobleman, who was the object of the greatest expression of Michelangelo's love. Michelangelo was 57 years old when he met Cavalieri in 1532.

Did Da Vinci and Michelangelo get along? ›

These towering geniuses of Western art grew up in the same city, shared the same patrons, and also shared an intense dislike for each other. But their fraught relationship was fueled by a secret mutual fascination and a fierce competition that spurred them—and their contemporaries—to new levels of artistic achievement.

Did Michelangelo believe in God? ›

Michelangelo was a devout Catholic whose faith deepened at the end of his life.

Did Michelangelo have children? ›

The artist never had children (he claimed his artworks were his children), or even proper students. Instead, he sought to groom his nephew Lionardo as the sole Buonarotti heir. Michelangelo also established many great friendships such as that with Vittoria Colonna, whom he gifted a devotional Pietà drawing.

Was Michelangelo wealthy? ›

Professor Hatfield's research shows that for most of Michelangelo's nearly 89 years, he was marginally, moderately or massively rich. But he often refused to show it, and often declined to share it. ''He was the richest artist of all time,'' at least until that time, Professor Hatfield said in an interview here today.

Was the Pieta ever damaged? ›

Whatever happened to Laszlo Toth, the man who smashed Michelangelo's Pieta in 1972? LASZLO TOTH, who damaged the Pieta with a hammer on 21 May 1972, was never charged with a criminal offence.

What is the famous statue of Mary holding Jesus? ›

The Madonna della Pietà (Italian: [pjeˈta]; 1498–1499), informally known as La Pietà, is a marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Blessed Virgin Mary by Michelangelo Buonarroti, now in Saint Peter's Basilica, Vatican City.

Why is the Pieta important to Christians? ›

The Pietà is an ancient theme in Christian art, depicting the Lamentation over the Dead Christ. In it, the Virgin Mary cradles the body of her son Jesus in her arms as he is taken down from the Cross, and we are invited to meditate on this moment of tenderness and grief.

Did Van Gogh paint a Pieta? ›

Van Gogh based his Pietà on a lithograph of a painting by Eugène Delacroix. In fact, it is more a variation on the original work than a copy. From Delacroix, Van Gogh took the theme of the Virgin Mary mourning the dead Christ, as well as the composition. He added his own colour and personal signature.

Why is Mary bigger than Jesus in Pietà? ›

Lombardo argued semantically that Christ's figure is not 'unnaturally small' because it is in fact life-size while it is Mary's figure which is larger than life. He believed this was done because the sight of the Virgin trying to balance a fully grown man would have looked incongruous.

What religion is Pieta? ›

Pietà, as a theme in Christian art, depiction of the Virgin Mary supporting the body of the dead Christ. Some representations of the Pietà include John the Apostle, Mary Magdalene, and sometimes other figures on either side of the Virgin, but the great majority show only Mary and her Son.

Did Michelangelo have a family? ›

Did Donatello have kids? ›

Donatello was born Donato di Niccolò di Betto Bardi and was of humble origins: he was the son of Niccolò di Betto Bardi, a Florentine wool carder. Donatello never married or had children.

Did Michelangelo lay on his back? ›

The difficulties were even greater since the surface was curved and he had to learn the "secrets" of perspective. Some believe that Michelangelo painted lying on his back but it is not true because he had devised a scaffolding system to make his work easier.

How much money did Michelangelo have when he died? ›

Michelangelo's riches would have made him one of the wealthiest artists of his time, putting him in a category that was streets ahead of Leonardo da Vinci, Titian or Raphael. When he passed away, Michelangelo left an estate worth 50,000 florins - about $50 million in today's money.

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